"A Picture Speaks Volumes": Favorite Book Illustrators

There is nothing as satisfying as coming across a superb illustration, especially in a book that is composed mostly of pages devoted to just words.

What exactly makes a good book illustration? To me, its not really how aesthetically pleasing it is, but rather how well it brings the story to life. A book's cover image, for instance, can set the tone of the entire story, and even if there are no other images in the book, the reader has that single image to hold on to all throughout. Sometimes even the most simple images are effective at conveying the story's message.

This blog entry is dedicated to my favorite book illustrators! Here they are, in no particular order:

1. Edward Gorey (1925-2000)
Edward Gorey was a writer as well as an illustrator. He is best known for books like The Curious Sofa, The Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas, and The Gilded Bat (Click on the links to see the book covers). Many of his stories have been republished as compilations (i.e. Amphigorey, Amphigorey Too, etc.).

Amphigorey Too book cover

His artwork is very detailed, and if you notice, borders on the eery and macabre. His use of color is spare, if any at all, but that's what makes his work so striking, and his attention to detail is amazing.

He partnered with one of my favorite authors, John Bellairs (Alas! Also gone from this world) to create a series of gothic tales for children. My favorite of these is a book called The House with a Clock in its Walls. Gorey's style went well with the creepy story of a clock hidden within a house in the town of New Zebedee, by the extremely evil Isaac Izaard—its chimes were meant to herald the end of the world. An ordinary boy—a roly-poly scaredy cat by the name of Lewis Barnavelt is tasked to thwart the doomsday clock and the beyond-the-grave meddling of Isaac Izaard's equally evil wife.    

The House with a Clock in its Walls

Looking at his drawings for this book always leaves me feeling cold—literally. Its a delicious feeling that adds to the suspense and picks up on the atmosphere of New Zebedee, which is located in Michigan (known for its freezing winters).

An illustration by Edward Gorey of Lewis, Mrs. Zimmerman, and Uncle Jonathan escaping from a vehicle in hot pursuit

Illustration of Lewis Barnavelt by Edward Gorey

2. Arthur Rackham (1867-1939)
An English bloke who is considered one of the finest and most prolific book illustrators in history, Rackham was known for his intricate renditions of supernatural folk and fairytale characters. His work—a combination of pencil, india ink, and watercolor—has become the stuff of legend, and has inspired many contemporary works of art in all media. For example, Wikipedia states that Guilermo del Toro, director of the Academy-award-winning Spanish fantasy, Pan's Labyrinth, was heavily influenced by Rackham in the conceptualization and design of one of the film's main characters, The Faun.

The Faun from Pan's Labyrinth

As a kid, I remember seeing Rackham's illustrations gracing the pages of my book of favorite fairy tales by the Brothers Grimm. My mom passed this book down to me (I can't seem to find it. I suspect it's buried beneath tons of cartons). I can't find an exact photo of that particular edition (Sorry). Here are some of my favorite illustrations done by Arthur Rackham from that collection of tales:

Illustration done by Arthur Rackham for the story "The Old Woman in the Wood."

Illustration done by Arthur Rackham for "Snow White."

3. Quentin Blake (1932-Present)
One of my all-time favorite authors is Roald Dahl. I love all his books whether for adults or children. I have to say that the illustrations played a big part in my being such a big fan. Quentin Blake, another Englishman, is the genius behind nearly all of the illustrations for Roald Dahl's books. In fact, the Roald Dahl website features his artwork. This guy is so good he was awarded the Hans Christian Andersen Medal for his work as a book illustrator.

The BFG, short for Big friendly Giant, is one of my favorite Roald Dahl books. Its about a giant whose sole pleasure in life is giving children good dreams. A little girl named Sophie espies him in the act of doing this and so he picks her up and takes her to his homeland. Unbeknownst to Sophie there are other giants who live in Giant Country, and these want nothing else but to gobble up humans, who they refer to as "Human Beans." What follows is an extraordinary adventure that involves helicopters and the Queen of England!   

Sophie and the BFG by Quentin Blake

Another book I love is The Twits, the story of a gruesome, smelly twosome who have a penchant for bird pie, scaring kids, and tormenting each other with cruel practical jokes even if they are husband and wife! In the illustration below, in order to payback her husband for the nasty trick he played on her, Mrs. Twit serves up a dish of WORM spaghetti!

Mr. and Mrs. Twit by Quentin Blake

4. Georgina Hargreaves (1939-Present)
Georgina Hargreaves was one of the illustrators for several of Enid Blyton's books. Born in Lancashire, Georgina studied art in the Bolton Art School. Her style is quite distinct and is very appealing to children. Her drawings exude a warmth and innocence so vital to the characters that populate Blyton's enchanting tales.

"Cover of The Magic Faraway Tree by Enid Blyton," illustrated by Georgina Hargreaves

Her illustrations for the Magic Faraway Tree edition first published in 1939 are really wonderful, and will delight anybody who is familiar with Enid Blyton's tale of three children who discover a magical tree that takes them to fantastical lands. I will never forget her illustration of "boiled sweets" growing from bushes in clusters, the Land of Goodies!

Sir Stamp-a-Lot from The Magic Faraway Tree, as illustrated by Georgina Hargreaves

5. Daniel Egneus
Daniel Egneus is one of the more contemporary artists I favor.  He's done campaigns for big names like H&M and Haagen Dasz, among others, and was elected Best Illustrator by the Association of Illustrators in the UK in 2005.

By Daniel Egneus for the Haagen Dasz campaign

I really enjoyed the illustrations he did for Little Red Riding Hood, published by Harper Collins. They are really beautiful.

Little Red Riding Hood cover image by Daniel Egneus

 His style is very distinct and romantic. Check out this video: 

This wraps up this blog entry. Really, a picture can make an enormous difference, especially if the written work it portrays is equally a masterpiece.

Snippets from The 2011 Junior Book Crew Part 2

*If you are having difficulty reading any of the essays simply click on the image for a clearer view :)

As per my blog entry on May 18, here is my promised follow up entry to the reviews created by the 2011 batch of the Junior Book Crew.

To reiterate: "the Fully Booked Zine's editor-in-chief gave several of them an exercise, which had to do with being able to write with integrity and honesty, and being able to find something positive in a book that they would not ordinarily pick up from the shelves. They were instructed to be as truthful as possible. The idea was to choose something from their favorite genre, but on a topic they weren't too fond of."
Expect a lot of honesty from this batch of reviews.

Funnily enough, my favorite one is a review on one of the Pippi Longstocking books by Astrid Lingren. I adore Pippi Longstocking, so why then do I say "funnily enough?"

Well, the reviewer didn't feel the same way. In fact, I could say the reviewer loathes Pippi as much as I love her! Nonetheless "Adrena Lynn's" review was so well-written and so honest that it made me laugh until my sides ached! Since Adrena used a pen name, I will keep her identity secret. Here it is in all its glorious candor:

The next review is by Kirstein Gail Sese, also known as Spring. Spring was not familiar with Tintin until the day she was asked to review Tintin in Tibet by Herge and although she loves children's books she isn't too fond of adventure stories. (Speaking of Tintin, I can't wait for the film adaptation of Secret of the  Unicorn, which is supposed to come out in December 2011)

Spring's essay was very brief, but that isn't to say that it didn't effectively convey how she truly felt about the book. Her review is an example of concise writing. Straight to the point, without frills, but well-written. If you think about it, dailies and publications like Time and Newsweek employ the same kind of writing. They get straight to the point and avoid "unnecessary" details, which lead readers far away from the actual point. Well done, Spring!

The next review is on a compilation of one of my favorite authors Edgar Allan Poe. This review is by Jamiya Doreen Umali (age 15), called Jamie by her friends and family. The editor of the Fully Booked Zine told me that she was pleased to discover that Jamie loves reading classics.

Actually, Jamie is the only one of eight who participated in this writing exercise who professed a love for classic literature. She cited Jane Austen as one of her favorites and horror as one of her least favorite genres. Jamie gamely agreed to read chilling tales written by one of the greatest masters of the macabre, and came up with this essay. For someone who said she didn't really like the horror genre, her essay show that her love for literature and open mind are far greater than her distaste for the genre.

 

The last review is by Daniel Gabriel (age 16). Daniel is a movie buff, but isn't much of a science fiction lover so he was assigned to review the Star Trek Encyclopedia. 

Here is his review, which very neatly points out the longstanding rivalry between Star Trek and Star Wars--even if he's not a fan to begin with, he makes a commendable effort to inform readers on the merits of the book, and why it will appeal to fans and newbies alike. Bravo, Daniel!